#56: Take a lunch break.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#14: Can you also remain a toddler institution?|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#56: Take a lunch break.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#14: Can you also remain a toddler institution?|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|
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12.09.2021 10:00

Rondleiding, start om 10.00 uur

Prijs: € 10

Gandante presenteert:
Karmelieten, het Oud Huis en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan het Oud Huis in Kunsthal Gent. Op zondag 12 september 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar het OUDE HUIS in Kunsthal Gent (voormalige Caermersklooster) waar u meer informatie krijgt in een videoproject van Eredeken Roger Van Bockstaele over de locatie.

In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens de rondleiding gaat onze gids dieper in op de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling heeft. Maar vertelt ze ook over de geschiedenis van het veertiende-eeuwse Karmelietenklooster.

Op 12 september is de zaalkerk van Kunsthal Gent niet toegankelijk wegens opbouwwerken, maar onze gids kan wel het project van Eredeken Roger Van Bockstaele en het Oud Huis toelichten.

INFO & RESERVEREN