#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#56: Take a lunch break.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#36: We support production separately.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#19: Have fun at the exhibition.|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#55: Keep basic human needs on the forefront.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#56: Take a lunch break.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#36: We support production separately.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#19: Have fun at the exhibition.|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#55: Keep basic human needs on the forefront.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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12.09.2021 10:00

Rondleiding, start om 10.00 uur

Prijs: € 10

Gandante presenteert:
Karmelieten, het Oud Huis en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan het Oud Huis in Kunsthal Gent. Op zondag 12 september 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar het OUDE HUIS in Kunsthal Gent (voormalige Caermersklooster) waar u meer informatie krijgt in een videoproject van Eredeken Roger Van Bockstaele over de locatie.

In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens de rondleiding gaat onze gids dieper in op de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling heeft. Maar vertelt ze ook over de geschiedenis van het veertiende-eeuwse Karmelietenklooster.

Op 12 september is de zaalkerk van Kunsthal Gent niet toegankelijk wegens opbouwwerken, maar onze gids kan wel het project van Eredeken Roger Van Bockstaele en het Oud Huis toelichten.

INFO & RESERVEREN