#127: Remain practical: what happens to the work in an endless exhibition?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|