#56: Take a lunch break.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#14: Can you also remain a toddler institution?|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#56: Take a lunch break.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#119: Be a space of production.|#14: Can you also remain a toddler institution?|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|