#127: Remain practical: what happens to the work in an endless exhibition?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|
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12.09.2021 10:00

Rondleiding, start om 10.00 uur

Prijs: € 10

Gandante presenteert:
Karmelieten, het Oud Huis en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan het Oud Huis in Kunsthal Gent. Op zondag 12 september 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar het OUDE HUIS in Kunsthal Gent (voormalige Caermersklooster) waar u meer informatie krijgt in een videoproject van Eredeken Roger Van Bockstaele over de locatie.

In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens de rondleiding gaat onze gids dieper in op de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling heeft. Maar vertelt ze ook over de geschiedenis van het veertiende-eeuwse Karmelietenklooster.

Op 12 september is de zaalkerk van Kunsthal Gent niet toegankelijk wegens opbouwwerken, maar onze gids kan wel het project van Eredeken Roger Van Bockstaele en het Oud Huis toelichten.

INFO & RESERVEREN