#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#19: Have fun at the exhibition.|#137: Use the publication as programming space|#26: More artists, less borders.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#19: Have fun at the exhibition.|#137: Use the publication as programming space|#26: More artists, less borders.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#51: How do we invite the true unknown?|
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10.10.2021 10:00

Rondleiding, start om 10.00 uur

Prijs: € 10

Gandante presenteert:
Karmelieten, Kunsthal Gent en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan Kunsthal Gent en de oude Karmelieten. Op zondag 10 oktober 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar Kunsthal Gent (het voormalige Caemersklooster). In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens een rondleiding in Kunsthal Gent gaat onze gids dieper in op twee zaken. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling. Maar anderzijds komt ook de geschiedenis van het veertiende-eeuwse Karmelietenklooster aan bod.

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