#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#64: Arrange a distribution of forces.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#61: No all male install teams.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#29: We make the program for the artist that we exhibit.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#64: Arrange a distribution of forces.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#61: No all male install teams.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#29: We make the program for the artist that we exhibit.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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10.10.2021 10:00

Rondleiding, start om 10.00 uur

Prijs: € 10

Gandante presenteert:
Karmelieten, Kunsthal Gent en de Drongenhofkapel

Rondleiding: Bezoek het kunstproject in de Drongenhofkapel in combinatie met een bezoek aan Kunsthal Gent en de oude Karmelieten. Op zondag 10 oktober 2021 om 10u00. Startplaats: Drongenhof 15 (Patershol) te Gent met gids Maggy Van Herreweghe.

We bezoeken de prachtige Drongenhofkapel in het Patershol, daar ontdekt u drie hedendaagse kunstwerken van Berlinde De Bruyckere, Dirk Braeckman en Wim Delvoye en de geschiedenis van de prachtige kapel.

Maar dit is niet alles. In het tweede uurtje van de rondleiding verplaatsen we ons naar Kunsthal Gent (het voormalige Caemersklooster). In Kunsthal Gent ontmoeten verschillende artistieke spelers en disciplines in de kunsten elkaar. Tijdens een rondleiding in Kunsthal Gent gaat onze gids dieper in op twee zaken. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling. Maar anderzijds komt ook de geschiedenis van het veertiende-eeuwse Karmelietenklooster aan bod.

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