Keepsake

#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#34: We pay artists.|#56: Take a lunch break.|#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#111: Do it together.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#34: We pay artists.|#56: Take a lunch break.|#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#111: Do it together.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|

22.11.2019 19:00

opening (Endless Exhibition)

Pay what you can

Charlotte Stuby:
Keepsake