#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|#2: Bring something new to the city of Ghent.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#14: Can you also remain a toddler institution?|#124: Do less, do it better.|#51: How do we invite the true unknown?|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|#2: Bring something new to the city of Ghent.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#14: Can you also remain a toddler institution?|#124: Do less, do it better.|#51: How do we invite the true unknown?|#19: Have fun at the exhibition.|