#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#40: Follow the artist|