#64: Arrange a distribution of forces.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#34: We pay artists.|#32: Be pan-gender polyphonic.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#39: Be the early stepping stone in an artist’s career|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#40: Follow the artist|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#34: We pay artists.|#32: Be pan-gender polyphonic.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#39: Be the early stepping stone in an artist’s career|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#40: Follow the artist|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|
