#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#34: We pay artists.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#26: More artists, less borders.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#34: We pay artists.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#26: More artists, less borders.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|
