#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#112: Spaces today don’t need to be curated, but occupied.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#112: Spaces today don’t need to be curated, but occupied.|
