#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#124: Do less, do it better.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#6: Demand that visitors are active.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|#44: No name tags at dinner.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#124: Do less, do it better.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#6: Demand that visitors are active.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|
