#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#55: Keep basic human needs on the forefront.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#34: We pay artists.|#36: We support production separately.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#55: Keep basic human needs on the forefront.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#34: We pay artists.|#36: We support production separately.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|
