#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#107: Build a community / scene.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#35: The artist fee should be good.|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#40: Follow the artist|#74: Last one out turns of the lights.|#98: The success of it will not lie in the result but in the process.|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#6: Demand that visitors are active.|#124: Do less, do it better.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#107: Build a community / scene.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#35: The artist fee should be good.|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#40: Follow the artist|#74: Last one out turns of the lights.|#98: The success of it will not lie in the result but in the process.|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#6: Demand that visitors are active.|#124: Do less, do it better.|#99: Evolve according to changing needs.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|
