#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#55: Keep basic human needs on the forefront.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#34: We pay artists.|#36: We support production separately.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#55: Keep basic human needs on the forefront.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#34: We pay artists.|#36: We support production separately.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|
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08—09.01.2022 13:00

Laatste weekend & event Kunsthal Hackbase

Pay what you can

CHT/Totalism.org:
HYPERGALLERY

Het weekend van 8 en 9 januari is de laatste kans om "HYPERGALLERY" te zien in de Permanently Practising studio: een nieuw mixed-reality medium voor collaboratieve expressie, ingezet om de nomadische inbedding van het CHT/Totalism.org project in de natuur-culturen van de Canarische eilanden te portretteren. ±20min loop, ±10 afzonderlijke delen.

HYPERGALLERY werd ontwikkeld in okt-dec 2021 tijdens een werkperiode van CHT/Totalism.org in het Ontwikkelingsprogramma van Kunsthal Gent, als een uitbreiding op de E2H-kenniscollectiviteitssoftware.

Het systeem medieert het synchroon samen schrijven (van "pads") in sequenties met meerdere schermen, stuurt generatieve automatische verkenning van hyperspace & mediacollecties, en leidt beweegbare hoofdlampen naar real-world installaties. Dit zorgt voor een krachtige maar redelijk toegankelijke multi-user, mixed-reality authoring - het vormen van verhalen die verschillende materialen combineren zoals hele websites, burst-mode fotografie, fysieke objecten, en tekstfragmenten.

Meer info op deze website.
CHT Totalism Hypergallery

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