#16: Kunsthal Gent will always be a construction site.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#68: Once in a while we need to get out of utopia and get something done.|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#92: We’re a learning organisation.|#26: More artists, less borders.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#4: Pay what you can.|#16: Kunsthal Gent will always be a construction site.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#68: Once in a while we need to get out of utopia and get something done.|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#92: We’re a learning organisation.|#26: More artists, less borders.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#4: Pay what you can.|
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30.03.2023 19:30

Concert

Prijs: € 16

Left Waves: Ana Roxanne

  • Deuren: 19:30
  • Concert: 20:30

Left Waves nodigt de Amerikaanse producer Ana Roxanne uit, misschien wel dé ambient-revelatie van de laatste jaren. Ze liet voor het eerst van zich horen met haar esotherische EP ~~~ . Haar ingetogen ambient maakte diepe indruk. Ze mocht meteen opdraven op gerenommeerde festivals als Dekmantel, Pitchfork Music Festival en Le Guess Who.

Het Britse toplabel Kranky (Tim Hecker, Grouper) lijfde haar meteen in om opvolger Because of a Flower uit te brengen. Ook dit album werd met open armen ontvangen door de muziekpers: Pitchfork (8/10), Indiestyle (****), The Quietus (8/10), … We horen zachte harmonieën en ambient soundscapes die doen denken aan het beste van Grouper en Julia Holter. Ook de dream pop van Julianna Barwick, Cocteau Twins, This Mortal Coil en Dead Can Dance is nooit ver weg.

Geen betere locatie dan de prachtige kerkzaal van Kunsthal Gent om haar muziek tot zijn recht te doen komen.

I.s.m. Democrazy & Kunstencentrum VIERNULVIER

Ana Roxanne 1 Rich Lomi