#17: An exhibition is never finished.|#91: Embrace doubt.|#92: We’re a learning organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#61: No all male install teams.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#137: Use the publication as programming space|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|#17: An exhibition is never finished.|#91: Embrace doubt.|#92: We’re a learning organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#61: No all male install teams.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#137: Use the publication as programming space|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

30.03.2023 19:30

Concert

Prijs: € 16

Left Waves: Ana Roxanne

  • Deuren: 19:30
  • Concert: 20:30

Left Waves nodigt de Amerikaanse producer Ana Roxanne uit, misschien wel dé ambient-revelatie van de laatste jaren. Ze liet voor het eerst van zich horen met haar esotherische EP ~~~ . Haar ingetogen ambient maakte diepe indruk. Ze mocht meteen opdraven op gerenommeerde festivals als Dekmantel, Pitchfork Music Festival en Le Guess Who.

Het Britse toplabel Kranky (Tim Hecker, Grouper) lijfde haar meteen in om opvolger Because of a Flower uit te brengen. Ook dit album werd met open armen ontvangen door de muziekpers: Pitchfork (8/10), Indiestyle (****), The Quietus (8/10), … We horen zachte harmonieën en ambient soundscapes die doen denken aan het beste van Grouper en Julia Holter. Ook de dream pop van Julianna Barwick, Cocteau Twins, This Mortal Coil en Dead Can Dance is nooit ver weg.

Geen betere locatie dan de prachtige kerkzaal van Kunsthal Gent om haar muziek tot zijn recht te doen komen.

I.s.m. Democrazy & Kunstencentrum VIERNULVIER

Ana Roxanne 1 Rich Lomi