#54: What about disabled artists?|#91: Embrace doubt.|#17: An exhibition is never finished.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#81: Things come alive when there is friction.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#124: Do less, do it better.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|#36: We support production separately.|#54: What about disabled artists?|#91: Embrace doubt.|#17: An exhibition is never finished.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#81: Things come alive when there is friction.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#124: Do less, do it better.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|#36: We support production separately.|
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02.11.2021 19:00

Lezingen door buurtbewoners

Pay what you can

Grace Ndiritu & Jubilee:
Local Knowledge

Local Knowledge

Dinsdag 2 november, 19.00 - 21.00 uur
Locatie: cinema

Kom naar een fascinerende lezing door buurtbewoners die hun persoonlijke archieven en verhalen over het leven in Patershol delen. Sprekers zijn onder andere:

Norbert Detaeye - over drie generaties van zijn familie die opgroeiden en woonden in Het Pand sinds 1900.

Luc Rogiest - bewoner van Het Pand in de jaren 1970, over de geschiedenis en de uitzetting van de bewoners.

Emilie De Vlam - huidige Pandemist en de langst zittende bewoonster van Het Pand; over de speculatieve toekomst van de site.

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik. HIER vind je het volledige programma.

SMALL KHG1976 Aboriginal Land Rights Act 0

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