#105: Kunsthal Gent is local in scale, but globally connected.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#62: Be kind. Full dishwasher: empty it.|#81: Things come alive when there is friction.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#127: Remain practical: what happens to the work in an endless exhibition?|#36: We support production separately.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#62: Be kind. Full dishwasher: empty it.|#81: Things come alive when there is friction.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#127: Remain practical: what happens to the work in an endless exhibition?|#36: We support production separately.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#124: Do less, do it better.|
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02.11.2021 18:00

Lezingen door buurtbewoners

Pay what you can

Grace Ndiritu & Jubilee:
Local Knowledge

Local Knowledge

Dinsdag 2 november, 19.00 - 21.00 uur (deuren open om 18.00)
Locatie: cinema

Kom naar een fascinerende lezing door buurtbewoners die hun persoonlijke archieven en verhalen over het leven in Patershol delen. Voorafgaand (vanaf 18.00 uur) is ook de archiefpresentatie over het klooster te bezoeken, samengesteld door Grace Ndiritu en Jubilee.

Sprekers zijn onder andere:

Norbert Detaeye - over drie generaties van zijn familie die opgroeiden en woonden in Het Pand sinds 1900.

Luc Rogiest - bewoner van Het Pand in de jaren 1970, over de geschiedenis en de uitzetting van de bewoners.

Emilie De Vlam - huidige Pandemist en de langst zittende bewoonster van Het Pand; over de speculatieve toekomst van de site.

Beeld: Archief Pandinisten

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik. HIER vind je het volledige programma.

2017 1 Archief Pandinisten

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