#54: What about disabled artists?|#99: Evolve according to changing needs.|#40: Follow the artist|#107: Build a community / scene.|#82: Clean and sterile looks professional, but really boring.|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#15: Kunsthal Gent aims to be an extension of public space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#81: Things come alive when there is friction.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#54: What about disabled artists?|#99: Evolve according to changing needs.|#40: Follow the artist|#107: Build a community / scene.|#82: Clean and sterile looks professional, but really boring.|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#15: Kunsthal Gent aims to be an extension of public space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#81: Things come alive when there is friction.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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02.11.2021 18:00

Lezingen door buurtbewoners

Pay what you can

Grace Ndiritu & Jubilee:
Local Knowledge

Local Knowledge

Dinsdag 2 november, 19.00 - 21.00 uur (deuren open om 18.00)
Locatie: cinema

Kom naar een fascinerende lezing door buurtbewoners die hun persoonlijke archieven en verhalen over het leven in Patershol delen. Voorafgaand (vanaf 18.00 uur) is ook de archiefpresentatie over het klooster te bezoeken, samengesteld door Grace Ndiritu en Jubilee.

Sprekers zijn onder andere:

Norbert Detaeye - over drie generaties van zijn familie die opgroeiden en woonden in Het Pand sinds 1900.

Luc Rogiest - bewoner van Het Pand in de jaren 1970, over de geschiedenis en de uitzetting van de bewoners.

Emilie De Vlam - huidige Pandemist en de langst zittende bewoonster van Het Pand; over de speculatieve toekomst van de site.

Beeld: Archief Pandinisten

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik. HIER vind je het volledige programma.

2017 1 Archief Pandinisten

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