#19: Have fun at the exhibition.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#34: We pay artists.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|
