#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#34: We pay artists.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#17: An exhibition is never finished.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#34: We pay artists.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#17: An exhibition is never finished.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|
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02.11.2021 18:00

Lezingen door buurtbewoners

Pay what you can

Grace Ndiritu & Jubilee:
Local Knowledge

Local Knowledge

Dinsdag 2 november, 19.00 - 21.00 uur (deuren open om 18.00)
Locatie: cinema

Kom naar een fascinerende lezing door buurtbewoners die hun persoonlijke archieven en verhalen over het leven in Patershol delen. Voorafgaand (vanaf 18.00 uur) is ook de archiefpresentatie over het klooster te bezoeken, samengesteld door Grace Ndiritu en Jubilee.

Sprekers zijn onder andere:

Norbert Detaeye - over drie generaties van zijn familie die opgroeiden en woonden in Het Pand sinds 1900.

Luc Rogiest - bewoner van Het Pand in de jaren 1970, over de geschiedenis en de uitzetting van de bewoners.

Emilie De Vlam - huidige Pandemist en de langst zittende bewoonster van Het Pand; over de speculatieve toekomst van de site.

Beeld: Archief Pandinisten

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik. HIER vind je het volledige programma.

2017 1 Archief Pandinisten

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