#17: An exhibition is never finished.|#35: The artist fee should be good.|#34: We pay artists.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#119: Be a space of production.|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#39: Be the early stepping stone in an artist’s career|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#34: We pay artists.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#111: Do it together.|#117: Consider design, organisational structures and architecture as programme.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#119: Be a space of production.|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#39: Be the early stepping stone in an artist’s career|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|