#2: Bring something new to the city of Ghent.|#91: Embrace doubt.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#14: Can you also remain a toddler institution?|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#91: Embrace doubt.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#14: Can you also remain a toddler institution?|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|