#37: Operate with radical transparency.|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#17: An exhibition is never finished.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#26: More artists, less borders.|#56: Take a lunch break.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#37: Operate with radical transparency.|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#17: An exhibition is never finished.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#26: More artists, less borders.|#56: Take a lunch break.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
