#35: The artist fee should be good.|#62: Don’t be a dick. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#98: The success of it will not lie in the result but in the process.|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#107: Build a community / scene.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#4: Pay what you can.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#84: The White Cube is a lie.|#40: Follow the artist|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#56: Take a lunch break.|#26: More artists, less borders.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#111: Do it together.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#91: Embrace doubt.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#17: An exhibition is never finished.|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#2: Bring something new to the city of Ghent.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#62: Don’t be a dick. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#98: The success of it will not lie in the result but in the process.|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#107: Build a community / scene.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#4: Pay what you can.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#84: The White Cube is a lie.|#40: Follow the artist|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#56: Take a lunch break.|#26: More artists, less borders.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#111: Do it together.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#91: Embrace doubt.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#17: An exhibition is never finished.|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#2: Bring something new to the city of Ghent.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|
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25—27.09.2020 20:00

3 nieuwe tentoonstellingen

Pay what you can

Openingsweekend:
Martin Belou, Ritsart Gobyn, croxhapox

3 nieuwe tentoonstellingen in Kunsthal Gent!
Openingsweekend, 25 - 27 september


Als aanvulling op de Endless Exhibition ontwikkelt de Franse kunstenaar Martin Belou een synesthetische ervaring die het midden houdt tussen sculptuur en performance. Model-achtige lemen hutten worden gecombineerd met een efemere lichtinterventie in de hoogten van de ruimte. Het geheel vormt een blauwdruk voor een dorp en voor een ontmoeting: een fascinerende plek om te gebruiken door bezoekers. (Martin Belou: Remuer Ciel et Terre, t/m 20/12)

In het nieuwe paviljoen bovenop de cinema presenteert de Gentse kunstenaar Ritsart Gobyn zijn trompe-l'oeil-schilderijen in een ruimtelijke installatie: de illusie in de werken zelf wordt uitgebreid naar de ruimte. (Ritsart Gobyn: Memories of things to be done, t/m 29/11)

In het Oud Huis viert croxhapox zijn 30ste verjaardag met THIR(S)TY THIR(S)TY #1: Looking at the letter A. Een tentoonstelling samengesteld door Lore Smolders, met Eleanor Ivory Weber, Laure Prouvost, Leendert van Accoleyen, Lieselotte vloeberghs, Maarten De Vrieze, Mekhitar Garabedian, Sjoerd van Leeuwen (t/m 25/10)

***** Openingsweekend *****
25 september, 20:00 - 23:00 uur
26 & 27 september, 11:00 - 18:00

>>> Boek je tijdslot via www.kunsthal.gent <<<

MDC KH M Belou 003 LR

GERELATEERDE TENTOONSTELLINGEN