#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
