#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#124: Do less, do it better.|#54: What about disabled artists?|#17: An exhibition is never finished.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#119: Be a space of production.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#124: Do less, do it better.|#54: What about disabled artists?|#17: An exhibition is never finished.|#81: Things come alive when there is friction.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#92: We’re a learning organisation.|#119: Be a space of production.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|
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09.11.2019 20:30

Album presentation + Dogpeople

Pay what you can

Mathieu Serruys:
Skin/Glove

Na de nodige problemen is het dan toch zover: 'Skin/Glove' van Mathieu Serruys komt uit op plaat! Dit vieren we met een concert in de cinemazaal van Kunsthal Gent!

Mathieu Serruys debuteerde in 2014 met ‘On Germaine Dulac’, een plaat die gekenmerkt werd door filmische en landschappelijke tapeloops en geërodeerde synthpartijen. Vijf jaar later heeft zijn muzikale tocht zich uitgekristalliseerd in ‘Skin/Glove’, de langverwachte opvolger die terug op B.A.A.D.M. verschijnt.

‘Skin/Glove’ bouwt verder op de fysieke intensiteit, korrelige tapetexturen en emotievolle melodieën van zijn debuut. Het vormt een uitgerijpte conceptplaat die niet alleen zijn muzikale, maar ook zijn persoonlijke zoektocht naar zelfverwerkelijking op indringende wijze evoceert.

Dogpeople is de band van Floris Hoorelbeke en Filip Brans. Classic kick-in-the-teeth noise voor de liefhebbers!

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