#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

09.11.2019 20:30

Album presentation + Dogpeople

Pay what you can

Mathieu Serruys:
Skin/Glove

Na de nodige problemen is het dan toch zover: 'Skin/Glove' van Mathieu Serruys komt uit op plaat! Dit vieren we met een concert in de cinemazaal van Kunsthal Gent!

Mathieu Serruys debuteerde in 2014 met ‘On Germaine Dulac’, een plaat die gekenmerkt werd door filmische en landschappelijke tapeloops en geërodeerde synthpartijen. Vijf jaar later heeft zijn muzikale tocht zich uitgekristalliseerd in ‘Skin/Glove’, de langverwachte opvolger die terug op B.A.A.D.M. verschijnt.

‘Skin/Glove’ bouwt verder op de fysieke intensiteit, korrelige tapetexturen en emotievolle melodieën van zijn debuut. Het vormt een uitgerijpte conceptplaat die niet alleen zijn muzikale, maar ook zijn persoonlijke zoektocht naar zelfverwerkelijking op indringende wijze evoceert.

Dogpeople is de band van Floris Hoorelbeke en Filip Brans. Classic kick-in-the-teeth noise voor de liefhebbers!

75098908 3081673398574245 5454559163990409216 o