#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#111: Do it together.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#111: Do it together.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
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09.11.2019 20:30

Album presentation + Dogpeople

Pay what you can

Mathieu Serruys:
Skin/Glove

Na de nodige problemen is het dan toch zover: 'Skin/Glove' van Mathieu Serruys komt uit op plaat! Dit vieren we met een concert in de cinemazaal van Kunsthal Gent!

Mathieu Serruys debuteerde in 2014 met ‘On Germaine Dulac’, een plaat die gekenmerkt werd door filmische en landschappelijke tapeloops en geërodeerde synthpartijen. Vijf jaar later heeft zijn muzikale tocht zich uitgekristalliseerd in ‘Skin/Glove’, de langverwachte opvolger die terug op B.A.A.D.M. verschijnt.

‘Skin/Glove’ bouwt verder op de fysieke intensiteit, korrelige tapetexturen en emotievolle melodieën van zijn debuut. Het vormt een uitgerijpte conceptplaat die niet alleen zijn muzikale, maar ook zijn persoonlijke zoektocht naar zelfverwerkelijking op indringende wijze evoceert.

Dogpeople is de band van Floris Hoorelbeke en Filip Brans. Classic kick-in-the-teeth noise voor de liefhebbers!

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