#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#111: Do it together.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#111: Do it together.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#35: The artist fee should be good.|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
