#30: Don’t work with artists who are assholes.|#36: We support production separately.|#61: No all male install teams.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#84: The White Cube is a lie.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#34: We pay artists.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#61: No all male install teams.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#84: The White Cube is a lie.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#34: We pay artists.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#94: No objections? Just do it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|
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27.10.2022 20:00

Host: kunstenaar Anna Püschel

Pay what you can

Syllabus platform:
Maybe. An Evening around Uncertainty.

Voor haar tweede publicatie The Encyclopaedia of the Uncertain onderzocht beeldend kunstenaar Anna Püschel het thema van de twijfel. Hoe kunnen wij in een constant veranderende omgeving orientatie vinden, en wat is kennis tegenwoordig - wij hebben binnen één klik alle informatie ter hand, maar klopt deze ook? En hoe verhouden wij onszelf er tegenover? Welke vormen van kennis bestaan er, en hoe kan het dat sommige vormen meer ruimte krijgen dan andere? Wat betekent het om op zoek te gaan naar onze persoonlijke waarheid?

Anna stelt vanavond haar Encyclopaedia en het maakproces voor aan het publiek en nodigt uit tot een gesprek rond kennis, waarheid, twijfel en verbinding.

Voor de realisatie van de publicatie ontving Anna Püschel een bijdrage van de Vlaamse Overheid. Er loopt momenteel een crowdfunding om het budget compleet te krijgen.

Syllabus Platform

De cirkelvormige ruimte die het werk Syllabus van Jesse Jones creëert, vormt een platform binnen Kunsthal Gent voor bijeenkomsten en activiteiten rond Syllabus: reading groups, bijeenkomsten van (activistische) groeperingen, een summer school... Hou het activiteitenprogramma in de gaten voor het recente programma!

Crowdfunding visitekaartje template