#119: Be a space of production.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#36: We support production separately.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|#119: Be a space of production.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#36: We support production separately.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|