#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#29: We make the program for the artist that we exhibit.|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#29: We make the program for the artist that we exhibit.|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|