#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#39: Be the early stepping stone in an artist’s career|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#105: Kunsthal Gent is local in scale, but globally connected.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#111: Do it together.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#59: Always protect the floor when painting (or pouring concrete)|#62: Don’t be a dick. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#15: Kunsthal Gent aims to be an extension of public space.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#119: Be a space of production.|#29: We make the program for the artist that we exhibit.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#36: We support production separately.|#92: We’re a learning organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#56: Take a lunch break.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#54: What about disabled artists?|#107: Build a community / scene.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#39: Be the early stepping stone in an artist’s career|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#105: Kunsthal Gent is local in scale, but globally connected.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#111: Do it together.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#59: Always protect the floor when painting (or pouring concrete)|#62: Don’t be a dick. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#15: Kunsthal Gent aims to be an extension of public space.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#119: Be a space of production.|#29: We make the program for the artist that we exhibit.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#36: We support production separately.|#92: We’re a learning organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#56: Take a lunch break.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#54: What about disabled artists?|#107: Build a community / scene.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

25.02.20

Evenement

Engagement Gent:
Meeting 25 februari

Engagement Gent meeting 25 februari

Locatie: Kunsthal Gent
19:00 - 21:00 uur

Engagement Gent organiseert opnieuw een bijeenkomst om seksisme, racisme, (seksuele) intimidatie en machtsmisbruik binnen het kunstonderwijs en het kunstenveld in Gent te bespreken, te delen en te documenteren.

Voel je vrij om mensen mee te brengen die geïnteresseerd zijn om de meeting bij te wonen. Alle genders welkom, bevestig graag je komst op voorhand met een mailtje naar contact@engagementarts.

80016877 586945702078919 1510598100320780288 o