#54: What about disabled artists?|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#4: Pay what you can.|#54: What about disabled artists?|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#4: Pay what you can.|
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25.02.2020 19:00

open bijeenkomst

Pay what you can

Engagement Gent:
Meeting 25 februari

Engagement Gent meeting 25 februari

Locatie: Kunsthal Gent
19:00 - 21:00 uur

Engagement Gent organiseert opnieuw een bijeenkomst om seksisme, racisme, (seksuele) intimidatie en machtsmisbruik binnen het kunstonderwijs en het kunstenveld in Gent te bespreken, te delen en te documenteren.

Voel je vrij om mensen mee te brengen die geïnteresseerd zijn om de meeting bij te wonen. Alle genders welkom, bevestig graag je komst op voorhand met een mailtje naar contact@engagementarts.

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