#54: What about disabled artists?|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#4: Pay what you can.|#54: What about disabled artists?|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#6: Demand that visitors are active.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#4: Pay what you can.|