#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#36: We support production separately.|#91: Embrace doubt.|#4: Pay what you can.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#28: Make Contracts.|#21: Live with the exhibition, spend time with it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#17: An exhibition is never finished.|#84: The White Cube is a lie.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#36: We support production separately.|#91: Embrace doubt.|#4: Pay what you can.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#28: Make Contracts.|#21: Live with the exhibition, spend time with it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#17: An exhibition is never finished.|#84: The White Cube is a lie.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|