#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|
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24.03.2022 19:30

by Democrazy

Prijs: € 14

Left Waves:
Merope

Merope is de Litouwse avant-folk groep rond zangeres Indrė Jurgelevičiūtė, gitarist / klanktovenaar Bert Cools en Christophe Bonnafous op bansuri (een Indische bamboefluit, we moesten het ook even opzoeken). Het drietal experimenteert al jaren met elementen uit Indiase muziek, ambient en indie.

Met 'Salos' (Stroom / Granvat) zorgde Merope voor één van de hoogtepunten van 2021. Het album werd opgenomen met o.a. The Vilnius Chamber Choir en Kjartan Sveinsson van Sigur Rós. Het resultaat is een kleurrijke archipel waar koorstemmen mooi verweven worden met atmosferische soundscapes. die blijven bezweren.

Geen betere plek om dit concert tot zijn recht te laten komen dan de centrale kerk van Kunsthal Gent, het oude Caemerklooster. De ruimte speelt perfect in op de dromerige klanken van Merope.

"Dit is een plaat voor de eindejaarslijstjes"
- Klara
"It's glowing, ethereal music; gossamer-fine, but swirling with emotional heft"
- The Wire



Tickets: https://bit.ly/3AA0dRt (€11 presage + reservation / €14 doors)


AFBEELDINGEN
LW2 insta story