#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#84: The White Cube is a lie.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#84: The White Cube is a lie.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|
