#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|
