#51: How do we invite the true unknown?|#36: We support production separately.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#4: Pay what you can.|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#36: We support production separately.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#4: Pay what you can.|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|
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19.12.2019 17:00

lezing & presentatie

Pay what you can

KASK en PILOOT presenteren:
MIA IMANI HARRISON & Filip Van Dingenen

KASK en PILOOT public art platform presenteren:
Lezing & presentatie door MIA IMANI HARRISON in dialoog met Filip Van Dingenen

Donderdag 19 december, 17.00 uur
Kunsthal Gent (ingang via achterdeur Lange Steenstraat)

MIA IMANI HARRISON is een interdisciplinaire kunstenaar en schrijver uit de Pacific Northwest (VS) die momenteel in Berlijn woont. Harrison ondervraagt de manieren waarop gemeenschappen die hun rechten zijn kwijtgeraakt, individuele, gemeenschappelijke en maatschappelijke trauma's kunnen genezen door werken te creëren die het midden houden tussen kunst en wetenschap. Deze "derde weg" mengt onconventionele methoden (dromen, rituelen) en wetenschap (etnografie, aardrijkskunde, psychoanalyse) om gezamenlijk nieuwe manieren van zijn te kunnen dromen. https://www.miaiharrison.com

In het kader van de workshop 'TRANS PEDAGOGIES & ART PRACTICES, practicing in trouble and dealing with conflicting curiosities’ in KASK, onder leiding van Mia Harrison & Filip Van Dingenen/Ecole Mondiale

MIA I HARRISON