#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#34: We pay artists.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#51: How do we invite the true unknown?|#37: Operate with radical transparency.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#119: Be a space of production.|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#82: Clean and sterile looks professional, but really boring.|#17: An exhibition is never finished.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#34: We pay artists.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#51: How do we invite the true unknown?|#37: Operate with radical transparency.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#119: Be a space of production.|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#82: Clean and sterile looks professional, but really boring.|#17: An exhibition is never finished.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
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19.12.2019 17:00

lezing & presentatie

Pay what you can

KASK en PILOOT presenteren:
MIA IMANI HARRISON & Filip Van Dingenen

KASK en PILOOT public art platform presenteren:
Lezing & presentatie door MIA IMANI HARRISON in dialoog met Filip Van Dingenen

Donderdag 19 december, 17.00 uur
Kunsthal Gent (ingang via achterdeur Lange Steenstraat)

MIA IMANI HARRISON is een interdisciplinaire kunstenaar en schrijver uit de Pacific Northwest (VS) die momenteel in Berlijn woont. Harrison ondervraagt de manieren waarop gemeenschappen die hun rechten zijn kwijtgeraakt, individuele, gemeenschappelijke en maatschappelijke trauma's kunnen genezen door werken te creëren die het midden houden tussen kunst en wetenschap. Deze "derde weg" mengt onconventionele methoden (dromen, rituelen) en wetenschap (etnografie, aardrijkskunde, psychoanalyse) om gezamenlijk nieuwe manieren van zijn te kunnen dromen. https://www.miaiharrison.com

In het kader van de workshop 'TRANS PEDAGOGIES & ART PRACTICES, practicing in trouble and dealing with conflicting curiosities’ in KASK, onder leiding van Mia Harrison & Filip Van Dingenen/Ecole Mondiale

MIA I HARRISON