#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#40: Follow the artist|#4: Pay what you can.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#26: More artists, less borders.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#40: Follow the artist|#4: Pay what you can.|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#51: How do we invite the true unknown?|
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19.12.2019 17:00

lezing & presentatie

Pay what you can

KASK en PILOOT presenteren:
MIA IMANI HARRISON & Filip Van Dingenen

KASK en PILOOT public art platform presenteren:
Lezing & presentatie door MIA IMANI HARRISON in dialoog met Filip Van Dingenen

Donderdag 19 december, 17.00 uur
Kunsthal Gent (ingang via achterdeur Lange Steenstraat)

MIA IMANI HARRISON is een interdisciplinaire kunstenaar en schrijver uit de Pacific Northwest (VS) die momenteel in Berlijn woont. Harrison ondervraagt de manieren waarop gemeenschappen die hun rechten zijn kwijtgeraakt, individuele, gemeenschappelijke en maatschappelijke trauma's kunnen genezen door werken te creëren die het midden houden tussen kunst en wetenschap. Deze "derde weg" mengt onconventionele methoden (dromen, rituelen) en wetenschap (etnografie, aardrijkskunde, psychoanalyse) om gezamenlijk nieuwe manieren van zijn te kunnen dromen. https://www.miaiharrison.com

In het kader van de workshop 'TRANS PEDAGOGIES & ART PRACTICES, practicing in trouble and dealing with conflicting curiosities’ in KASK, onder leiding van Mia Harrison & Filip Van Dingenen/Ecole Mondiale

MIA I HARRISON