#51: How do we invite the true unknown?|#36: We support production separately.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#4: Pay what you can.|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#36: We support production separately.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#4: Pay what you can.|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|
