#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
