#132: Things will always look weird when you’re the first doing it.|#44: No name tags at dinner.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#84: The White Cube is a lie.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#40: Follow the artist|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|#132: Things will always look weird when you’re the first doing it.|#44: No name tags at dinner.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#84: The White Cube is a lie.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#4: Pay what you can.|#40: Follow the artist|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|
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04.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Michael Snow + Aglaia Konrad

Wavelength, Michael Snow

—CA, 1966-67, 45’, kleur, 16mm

Concrete & Samples II: Blockhaus, Aglaia Konrad

—BE, 2009, 9’50’’, kleur, stil, videotransfer van 16mm

Wavelength is exemplarisch voor de Structural Cinema en de wijze waarop die architectuur gebruikt om de stabiliteit van het beeld en het voorbijglijden van de tijd en het licht aan te geven. Deze aspecten spelen ook een rol in Concrete & Samples van Aglaia Konrad, een reeks films over organische en brutalistische architectuur uit de jaren 1960 en 1970.

Ticket: 8 euro / 5 euro reductie

Michael snow wavelength 1024x663