#20: Are exhibitions the most suitable form for the art that we present?|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#19: Have fun at the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#55: Keep basic human needs on the forefront.|#20: Are exhibitions the most suitable form for the art that we present?|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#19: Have fun at the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#55: Keep basic human needs on the forefront.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

29.10.2019 18:30

Pay what you can

MINIMA DOCTA - DEBAT

MINIMA DOCTA - DEBAT

turkye and thailand: THE AUTHORITARIAN EXAMPLES NOT TO FOLLOW
sara fabbri & CLAUDIO SOPRANZETTI ‘Il re di bangkok’ (graphic novel)
ece temelkuran ‘how to loose a country’ (NON FICTION)

moderator: Jeroen Laureyns

Kunsthal Gent, 18:30 - 20:30
taal: Engels

De moderne kunst ontstaat op het moment dat de kunstenaar beslist om niet langer de macht te dienen, maar tegen te spreken. Dat was zo in de 19de eeuw toen de Franse kunstenaar Honoré Daumier het in een spotprent opnam tegen de Franse koning en de gevangenis in vloog.

Dat is vandaag nog altijd zo, wanneer een schrijver (Claudio Sopranzetti) en een tekenaar (Sara Fabbri) het in hun graphic novel ‘Il Re di Bangkok’ opnemen tegen de militaire dictatuur in Thailand die haar tegenstanders tot in het buitenland volgt en vermoordt. Claudio en Sara lichten die dramatische recente Thaise geschiedenis toe en vertellen hoe ze die samenwerking tussen een academische schrijver en een illustrator tot stand hebben gebracht.

In het tweede luik van deze avond is ook de Turkse schrijfster Ece Temelkuran te gast, die in haar boek ‘Verloren Land’ uitlegt hoe elk land in zeven stappen van een democratie naar een dictatuur kan afglijden. Tot slot gaan onze drie gasten van deze avond met elkaar in dialoog.

Pasted Image