#44: No name tags at dinner.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#65: No excuses: Thursday morning, team meeting.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#65: No excuses: Thursday morning, team meeting.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#17: An exhibition is never finished.|
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29.10.2019 18:30

Pay what you can

MINIMA DOCTA - DEBAT

MINIMA DOCTA - DEBAT

turkye and thailand: THE AUTHORITARIAN EXAMPLES NOT TO FOLLOW
sara fabbri & CLAUDIO SOPRANZETTI ‘Il re di bangkok’ (graphic novel)
ece temelkuran ‘how to loose a country’ (NON FICTION)

moderator: Jeroen Laureyns

Kunsthal Gent, 18:30 - 20:30
taal: Engels

De moderne kunst ontstaat op het moment dat de kunstenaar beslist om niet langer de macht te dienen, maar tegen te spreken. Dat was zo in de 19de eeuw toen de Franse kunstenaar Honoré Daumier het in een spotprent opnam tegen de Franse koning en de gevangenis in vloog.

Dat is vandaag nog altijd zo, wanneer een schrijver (Claudio Sopranzetti) en een tekenaar (Sara Fabbri) het in hun graphic novel ‘Il Re di Bangkok’ opnemen tegen de militaire dictatuur in Thailand die haar tegenstanders tot in het buitenland volgt en vermoordt. Claudio en Sara lichten die dramatische recente Thaise geschiedenis toe en vertellen hoe ze die samenwerking tussen een academische schrijver en een illustrator tot stand hebben gebracht.

In het tweede luik van deze avond is ook de Turkse schrijfster Ece Temelkuran te gast, die in haar boek ‘Verloren Land’ uitlegt hoe elk land in zeven stappen van een democratie naar een dictatuur kan afglijden. Tot slot gaan onze drie gasten van deze avond met elkaar in dialoog.

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