#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#36: We support production separately.|#107: Build a community / scene.|#124: Do less, do it better.|#30: Don’t work with artists who are assholes.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#137: Use the publication as programming space|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#14: Can you also remain a toddler institution?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#54: What about disabled artists?|#28: Make Contracts.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#36: We support production separately.|#107: Build a community / scene.|#124: Do less, do it better.|#30: Don’t work with artists who are assholes.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#137: Use the publication as programming space|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#14: Can you also remain a toddler institution?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#54: What about disabled artists?|#28: Make Contracts.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#91: Embrace doubt.|