#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#10: Don’t be obsessed with numbers.|#105: Kunsthal Gent is local in scale, but globally connected.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#61: No all male install teams.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#89: Build-in impurity within the organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#10: Don’t be obsessed with numbers.|#105: Kunsthal Gent is local in scale, but globally connected.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#61: No all male install teams.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#89: Build-in impurity within the organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|