#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#44: No name tags at dinner.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#74: Last one out turns of the lights.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#111: Do it together.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#137: Use the publication as programming space|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#44: No name tags at dinner.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#74: Last one out turns of the lights.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#111: Do it together.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#137: Use the publication as programming space|
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15.11.2019 20:00

Pay what you can

Art cinema OFFoff presents:
Moving Word

NL

Moving Word presenteert een multidisciplinair programma. Verwacht alles: van sound art tot sculptuur, van voordracht en video tot performance. Voor deze editie experimenteren de deelnemende kunstenaars rond ‘the body’.

Met onder meer: Anton Cla & Casimir Desmet, Clara Spilliaert, Hanne van Dyck, Annelein Pompe, Nergiz Dukan, Dominique de Groen, Koen Blauwblommen, Victor Lauwers & Thomas De Geyter.

Tickets: Vrije Bijdrage

Voor meer info: https://offoff.be/events/moving-word/

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