#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#29: We make the program for the artist that we exhibit.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#4: Pay what you can.|#137: Use the publication as programming space|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#91: Embrace doubt.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#92: We’re a learning organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#29: We make the program for the artist that we exhibit.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#4: Pay what you can.|#137: Use the publication as programming space|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#91: Embrace doubt.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#92: We’re a learning organisation.|
