#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#30: Don’t work with artists who are assholes.|
