#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#28: Make Contracts.|#84: The White Cube is a lie.|#21: Live with the exhibition, spend time with it.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#28: Make Contracts.|#84: The White Cube is a lie.|#21: Live with the exhibition, spend time with it.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|
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14.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
NY underground: Smith versus Rubin

Flaming Creatures, Jack Smith
—US, 1962, 45', zwart-wit, HD-transfer van 16mm


Christmas on Earth, Barbara Rubin
—US, 1963, 30’, getint, HD-transfer van 16mm

Barbara Rubin stelde Bob Dylan voor aan Allen Ginsberg, The Velvet Underground aan Andy Warhol en liet Knokke-Zoute kennis maken met Jack Smiths schandaleuze Flaming Creatures. Op haar zeventiende filmde ze Christmas on Earth, door Jonas Mekas bejubeld als ‘down to earth beauty, so real as only a terrible beauty can be.’

I.s.m. Film Fest Gent

Tickets: 8 euro / 5 euro (reductie)

Voor meer informatie:
https://offoff.be/events/ny-underground-smith-versus-rubin/

Christmas on Earth 768x576