#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#119: Be a space of production.|#37: Operate with radical transparency.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#90: The best systems have a failure or ‘a hole’ in them…|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#111: Do it together.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#119: Be a space of production.|#37: Operate with radical transparency.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#90: The best systems have a failure or ‘a hole’ in them…|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#111: Do it together.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|
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14.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
NY underground: Smith versus Rubin

Flaming Creatures, Jack Smith
—US, 1962, 45', zwart-wit, HD-transfer van 16mm


Christmas on Earth, Barbara Rubin
—US, 1963, 30’, getint, HD-transfer van 16mm

Barbara Rubin stelde Bob Dylan voor aan Allen Ginsberg, The Velvet Underground aan Andy Warhol en liet Knokke-Zoute kennis maken met Jack Smiths schandaleuze Flaming Creatures. Op haar zeventiende filmde ze Christmas on Earth, door Jonas Mekas bejubeld als ‘down to earth beauty, so real as only a terrible beauty can be.’

I.s.m. Film Fest Gent

Tickets: 8 euro / 5 euro (reductie)

Voor meer informatie:
https://offoff.be/events/ny-underground-smith-versus-rubin/

Christmas on Earth 768x576