#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#61: No all male install teams.|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#51: How do we invite the true unknown?|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#36: We support production separately.|#111: Do it together.|#81: Things come alive when there is friction.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#61: No all male install teams.|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#51: How do we invite the true unknown?|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#36: We support production separately.|#111: Do it together.|#81: Things come alive when there is friction.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#4: Pay what you can.|
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14.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
NY underground: Smith versus Rubin

Flaming Creatures, Jack Smith
—US, 1962, 45', zwart-wit, HD-transfer van 16mm


Christmas on Earth, Barbara Rubin
—US, 1963, 30’, getint, HD-transfer van 16mm

Barbara Rubin stelde Bob Dylan voor aan Allen Ginsberg, The Velvet Underground aan Andy Warhol en liet Knokke-Zoute kennis maken met Jack Smiths schandaleuze Flaming Creatures. Op haar zeventiende filmde ze Christmas on Earth, door Jonas Mekas bejubeld als ‘down to earth beauty, so real as only a terrible beauty can be.’

I.s.m. Film Fest Gent

Tickets: 8 euro / 5 euro (reductie)

Voor meer informatie:
https://offoff.be/events/ny-underground-smith-versus-rubin/

Christmas on Earth 768x576