#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#119: Be a space of production.|#61: No all male install teams.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#30: Don’t work with artists who are assholes.|#68: Once in a while we need to get out of utopia and get something done.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#119: Be a space of production.|#61: No all male install teams.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#30: Don’t work with artists who are assholes.|#68: Once in a while we need to get out of utopia and get something done.|
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13.10.2023 13:00

Open Call

Pay what you can

Open Call: Pairing is Caring

Als jonge kunstenaar kan het een hele opgave zijn om de deur naar de professionele sector open te breken. Een netwerk, subsidies, eerlijke kansen, goedkope werkruimte, status als kunstenaar: hoe doe je dat?

Tijdens Pairing is Caring koppelen we een 'opkomende' kunstenaar aan een meer ervaren kunstenaar of een cultureel werker, zodat kennis over het opzetten van je carrière als kunstenaar kan worden uitgewisseld. Deze ondersteunende persoon of "buddy" kan je dan van tijd tot tijd helpen met je individuele vragen over nieuwe contacten, subsidies, beloning, ruimte, volgende stappen in je carrière.

Een project van The Gap (State of the Arts), Gents Kunstenoverleg en Kunsthal Gent. The Gap (SOTA) een oproep tot solidariteit binnen het kunstveld.

Programma
  • 13:00 - 14:00 - Lunch
  • 14:00 - 17:00 - Ontmoetingsmoment met ondersteunende contacten

© Foto: Anish Kapoor, Descension (2014) in Brooklyn Bridge Park. Courtesy of Public Art Fund / Anish Kapoor/ photographer James Ewing.

PAF Kapoor James Ewing 4363 jpg 1920x1280