#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#107: Build a community / scene.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#62: Be kind. Full dishwasher: empty it.|#10: Don’t be obsessed with numbers.|#91: Embrace doubt.|#54: What about disabled artists?|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#107: Build a community / scene.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#62: Be kind. Full dishwasher: empty it.|#10: Don’t be obsessed with numbers.|#91: Embrace doubt.|#54: What about disabled artists?|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|
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20.09.2019 20:00

Pay what you can

opening 20 september:
Joëlle Tuerlinckx en architecten de vylder vinck taillieu

Opening op 20 september: nieuwe tentoonstellingen van Joëlle Tuerlinckx en architecten de vylder vinck taillieu


Van september tot en met december is Joëlle Tuerlinckx te gast met het project La Fabrique d'un Single screen. Tijdens de openingsuren werkt ze tussen en met de bezoekers van Kunsthal Gent aan een film die meer dan 200 uur aan beeldmateriaal bundelt uit ‘THAT’S IT! The Single Screen’, haar langlopende residentie in de DIA Art Foundation in Beacon (US).
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Het Gentse architectenbureau de vylder vinck taillieu presenteert tijdens het Festival van de architectuur in Kunsthal Gent hun inzending voor de Biennale Architettura 2018 in Venetië. UNLESS EVER PEOPLE / CARITAS FOR FREESPACE is een weergave van hun indrukwekkende herbestemming van een verouderd gebouw in het Psychiatrisch Centrum Karus in Melle. De tentoonstelling won in Venetië de Zilveren Leeuw voor jong en beloftevol werk en is voor het eerst in België te zien.
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OPENING:
vrijdag 20 september 2019, 20:00 uur
Opening en performances Joëlle Tuerlinckx ‘La Fabrique d'un Single screen’, opening tentoonstelling architecten de vylder vinck taillieu ‘UNLESS EVER PEOPLE / CARITAS FOR FREESPACE’.
Deuren open vanaf 18:00 uur.

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