#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#17: An exhibition is never finished.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#17: An exhibition is never finished.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|
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20.09.2019 20:00

Pay what you can

opening 20 september:
Joëlle Tuerlinckx en architecten de vylder vinck taillieu

Opening op 20 september: nieuwe tentoonstellingen van Joëlle Tuerlinckx en architecten de vylder vinck taillieu


Van september tot en met december is Joëlle Tuerlinckx te gast met het project La Fabrique d'un Single screen. Tijdens de openingsuren werkt ze tussen en met de bezoekers van Kunsthal Gent aan een film die meer dan 200 uur aan beeldmateriaal bundelt uit ‘THAT’S IT! The Single Screen’, haar langlopende residentie in de DIA Art Foundation in Beacon (US).
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Het Gentse architectenbureau de vylder vinck taillieu presenteert tijdens het Festival van de architectuur in Kunsthal Gent hun inzending voor de Biennale Architettura 2018 in Venetië. UNLESS EVER PEOPLE / CARITAS FOR FREESPACE is een weergave van hun indrukwekkende herbestemming van een verouderd gebouw in het Psychiatrisch Centrum Karus in Melle. De tentoonstelling won in Venetië de Zilveren Leeuw voor jong en beloftevol werk en is voor het eerst in België te zien.
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OPENING:
vrijdag 20 september 2019, 20:00 uur
Opening en performances Joëlle Tuerlinckx ‘La Fabrique d'un Single screen’, opening tentoonstelling architecten de vylder vinck taillieu ‘UNLESS EVER PEOPLE / CARITAS FOR FREESPACE’.
Deuren open vanaf 18:00 uur.

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