#34: We pay artists.|#82: Clean and sterile looks professional, but really boring.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#107: Build a community / scene.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#117: Consider design, organisational structures and architecture as programme.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#29: We make the program for the artist that we exhibit.|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#119: Be a space of production.|#34: We pay artists.|#82: Clean and sterile looks professional, but really boring.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#107: Build a community / scene.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#111: Do it together.|#39: Be the early stepping stone in an artist’s career|#117: Consider design, organisational structures and architecture as programme.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#29: We make the program for the artist that we exhibit.|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#119: Be a space of production.|
