#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#53: Immaterial support for artists is important.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#51: How do we invite the true unknown?|#17: An exhibition is never finished.|#61: No all male install teams.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#53: Immaterial support for artists is important.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#51: How do we invite the true unknown?|#17: An exhibition is never finished.|#61: No all male install teams.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|
