#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#62: Don’t be a dick. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#111: Do it together.|#137: Use the publication as programming space|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#90: The best systems have a failure or ‘a hole’ in them…|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#132: Things will always look weird when you’re the first doing it.|#107: Build a community / scene.|#21: Live with the exhibition, spend time with it.|#54: What about disabled artists?|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#59: Always protect the floor when painting (or pouring concrete)|#92: We’re a learning organisation.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#56: Take a lunch break.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#82: Clean and sterile looks professional, but really boring.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#4: Pay what you can.|#40: Follow the artist|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#62: Don’t be a dick. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#111: Do it together.|#137: Use the publication as programming space|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#30: Don’t work with artists who are assholes.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#90: The best systems have a failure or ‘a hole’ in them…|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#132: Things will always look weird when you’re the first doing it.|#107: Build a community / scene.|#21: Live with the exhibition, spend time with it.|#54: What about disabled artists?|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#59: Always protect the floor when painting (or pouring concrete)|#92: We’re a learning organisation.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#56: Take a lunch break.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#82: Clean and sterile looks professional, but really boring.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#4: Pay what you can.|#40: Follow the artist|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|
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06.05.2021 20:00

2 concerten in de cinema

Prijs: € 5

B.A.A.D.M. presenteert:
Opéra Mort & Heleen Van Haegenborgh

Dit concert zal georganiseerd worden volgens de op dat moment geldende Corona-kleurcode.

Reservatie verplicht. Reservatielink zal later worden meegedeeld op deze pagina.

Inkom: 5€ / reductie: 3€

Opéra Mort

Èlg (BE) en Fusiller (FR) vormen samen het muzikaal duo Opéra Mort, dat zich graag verliest in weerbarstige, surreële en koortsachtige electronica en avant-garde. Zowel samen, solo of via diverse samenwerkingen (o.a. met Ghedalia Tazartès) legden ze reeds een impressionant parcours af met uitgaven op labels als Alter, Kraak, Nashazphone, Three:four Records, Hundebiss, of uitgaven in eigen beheer. Hun live-shows zijn steeds hoogst immersieve ervaringen, zoals het ijzersterke concert dat ze in 2017 op uitnodiging van B.A.A.D.M. brachten in AB Salon, en waarvan de opname nu op 6 mei in Kunsthal gepresenteerd wordt als gelimiteerde tape-release.

Heleen Van Haegenborgh

Met als basis haar studies aan de Koninklijke Conservatoria van Gent en Brussel ontwikkelde pianiste Heleen Van Haegenborgh (BE) een meerledige praktijk die haar op de meest diverse podia brengt, zowel over muziekgenres heen als over de grenzen van disciplines. Ze werkt vaak samen, zowel met andere muzikanten (Jürgen De Blonde, Lander Gyselinck, Kristof Rosseeuw, …) als met beeldende kunstenaars, filmmakers en theatermakers. Als componiste bestrijkt ze een breed spectrum, dat reikt van werken voor solopiano tot composities voor misthoorns. Speciaal voor deze avond brengt ze een nieuw werk op harmonium.

Photo copyright Steeve Bauras

Opera mort 03 Steeve Bauras