#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|
