Opéra Mort Heleen Van Haegenborgh & Tomma Wessel

#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#17: An exhibition is never finished.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#55: Keep basic human needs on the forefront.|#119: Be a space of production.|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#17: An exhibition is never finished.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#94: No objections? Just do it.|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#55: Keep basic human needs on the forefront.|#119: Be a space of production.|

29.06.2021 20:00

2 concerten in de cinema

Prijs: € 5

B.A.A.D.M. presenteert:
Opéra Mort + Heleen Van Haegenborgh & Tomma Wessel