Opéra Mort Heleen Van Haegenborgh & Tomma Wessel

#21: Live with the exhibition, spend time with it.|#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#35: The artist fee should be good.|#34: We pay artists.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#35: The artist fee should be good.|#34: We pay artists.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#127: Remain practical: what happens to the work in an endless exhibition?|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|

29.06.2021 20:00

2 concerten in de cinema

Prijs: € 5

B.A.A.D.M. presenteert:
Opéra Mort + Heleen Van Haegenborgh & Tomma Wessel