#124: Do less, do it better.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#53: Immaterial support for artists is important.|#34: We pay artists.|#81: Things come alive when there is friction.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Be kind. Full dishwasher: empty it.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#35: The artist fee should be good.|#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#53: Immaterial support for artists is important.|#34: We pay artists.|#81: Things come alive when there is friction.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Be kind. Full dishwasher: empty it.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#54: What about disabled artists?|#35: The artist fee should be good.|#20: Are exhibitions the most suitable form for the art that we present?|#10: Don’t be obsessed with numbers.|