#53: Immaterial support for artists is important.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|
