#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|
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28.11.2019 20:00

georganiseerd door Whatabout Ourcorrespondences - #smakistestil - NL

Pay what you can

open gesprek:
Our correspondence

whatabout ourcorresondences presenteert:

Our correspondence
Open gesprek naar aanleiding van de protestactie #smakistestil

donderdag 28 november 2019, 20:00 - 23:00 uur
Iedereen die zich betrokken voelt is welkom - voertaal: Nederlands


Kan en moet een museum een onderscheid maken tussen de kunstenaar en zijn of haar werk, tussen ethiek en esthetiek?
Wat is wenselijk?
Zijn er grenzen aan wat een museum kan tonen, en hoe?
Wat is de rol van een museum wanneer het weet heeft van kwesties van seksuele intimidatie in relatie tot een kunstenaar die ze tentoonstellen?

Graag uw komst bevestigen via: whataboutourcorrespondence@gmail.com

The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

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