#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#68: Once in a while we need to get out of utopia and get something done.|#98: The success of it will not lie in the result but in the process.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|
