#40: Follow the artist|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#10: Don’t be obsessed with numbers.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#40: Follow the artist|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#92: We’re a learning organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#99: Evolve according to changing needs.|#10: Don’t be obsessed with numbers.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|
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28.11.2019 20:00

georganiseerd door Whatabout Ourcorrespondences - #smakistestil - NL

Pay what you can

open gesprek:
Our correspondence

whatabout ourcorresondences presenteert:

Our correspondence
Open gesprek naar aanleiding van de protestactie #smakistestil

donderdag 28 november 2019, 20:00 - 23:00 uur
Iedereen die zich betrokken voelt is welkom - voertaal: Nederlands


Kan en moet een museum een onderscheid maken tussen de kunstenaar en zijn of haar werk, tussen ethiek en esthetiek?
Wat is wenselijk?
Zijn er grenzen aan wat een museum kan tonen, en hoe?
Wat is de rol van een museum wanneer het weet heeft van kwesties van seksuele intimidatie in relatie tot een kunstenaar die ze tentoonstellen?

Graag uw komst bevestigen via: whataboutourcorrespondence@gmail.com

The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

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