#53: Immaterial support for artists is important.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|
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28.11.2019 20:00

georganiseerd door Whatabout Ourcorrespondences - #smakistestil - NL

Pay what you can

open gesprek:
Our correspondence

whatabout ourcorresondences presenteert:

Our correspondence
Open gesprek naar aanleiding van de protestactie #smakistestil

donderdag 28 november 2019, 20:00 - 23:00 uur
Iedereen die zich betrokken voelt is welkom - voertaal: Nederlands


Kan en moet een museum een onderscheid maken tussen de kunstenaar en zijn of haar werk, tussen ethiek en esthetiek?
Wat is wenselijk?
Zijn er grenzen aan wat een museum kan tonen, en hoe?
Wat is de rol van een museum wanneer het weet heeft van kwesties van seksuele intimidatie in relatie tot een kunstenaar die ze tentoonstellen?

Graag uw komst bevestigen via: whataboutourcorrespondence@gmail.com

The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

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