#26: More artists, less borders.|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#84: The White Cube is a lie.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|#26: More artists, less borders.|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#84: The White Cube is a lie.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie
ARCHIEF
2020