#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#137: Use the publication as programming space|#94: No objections? Just do it.|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#81: Things come alive when there is friction.|#40: Follow the artist|#6: Demand that visitors are active.|#16: Kunsthal Gent will always be a construction site.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#137: Use the publication as programming space|#94: No objections? Just do it.|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#34: We pay artists.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#81: Things come alive when there is friction.|#40: Follow the artist|#6: Demand that visitors are active.|#16: Kunsthal Gent will always be a construction site.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|
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