#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#99: Evolve according to changing needs.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#99: Evolve according to changing needs.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#55: Keep basic human needs on the forefront.|
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19.11.2021 20:00

Lezing

Pay what you can

Engagement Arts & KHG presenteren:
Petra Van Brabandt – The Female Nude

The Female Nude

In haar lezing The Female Nude zal Petra Van Brabandt het hebben over de beeldvorming van de vrouw in de Westerse kunstgeschiedenis en hoe die erfenis nog steeds nazindert in hoe we vandaag naar lichamen kijken en hoe deze beeldcultuur blijvend gerecupereerd wordt. En hoe dat bovendien allesbehalve onschuldig is.

Petra Van Brabandt is moraalfilosofe en hoofd onderzoek aan Sint-Lucas Antwerpen en docente in semiotiek en cultuurkritiek. Ze schrijft over pornografie, natte esthetiek en de relatie tussen kunst en politiek. Haar laatste boek Kunst of Pornografie is een filosofische verkenning waarin ze samen met Hans Maes zowel kunst als pornografie onder de loep neemt.

Deze lezing gaat door in het kader van een serie events door Engagement Arts en Kunsthal Gent.

Ook in deze reeks:

Donderdag 9 december, 19.30 - 22.00 (deuren: 19.00)
Een ongemakkelijk gesprek over kunst.
Gespreksleider: Peter Aers - meer info volgt.

Kunst of pornografie2