#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#90: The best systems have a failure or ‘a hole’ in them…|#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#90: The best systems have a failure or ‘a hole’ in them…|
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19.11.2021 20:00

Lezing

Pay what you can

Engagement Arts & KHG presenteren:
Petra Van Brabandt – The Female Nude

The Female Nude

In haar lezing The Female Nude zal Petra Van Brabandt het hebben over de beeldvorming van de vrouw in de Westerse kunstgeschiedenis en hoe die erfenis nog steeds nazindert in hoe we vandaag naar lichamen kijken en hoe deze beeldcultuur blijvend gerecupereerd wordt. En hoe dat bovendien allesbehalve onschuldig is.

Petra Van Brabandt is moraalfilosofe en hoofd onderzoek aan Sint-Lucas Antwerpen en docente in semiotiek en cultuurkritiek. Ze schrijft over pornografie, natte esthetiek en de relatie tussen kunst en politiek. Haar laatste boek Kunst of Pornografie is een filosofische verkenning waarin ze samen met Hans Maes zowel kunst als pornografie onder de loep neemt.

Deze lezing gaat door in het kader van een serie events door Engagement Arts en Kunsthal Gent.

Ook in deze reeks:

Donderdag 9 december, 19.30 - 22.00 (deuren: 19.00)
Een ongemakkelijk gesprek over kunst.
Gespreksleider: Peter Aers - meer info volgt.

Kunst of pornografie2