#81: Things come alive when there is friction.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#51: How do we invite the true unknown?|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|#19: Have fun at the exhibition.|#44: No name tags at dinner.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#81: Things come alive when there is friction.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#51: How do we invite the true unknown?|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|#19: Have fun at the exhibition.|#44: No name tags at dinner.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|
