#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|
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02—11.07.2021 20:00

Met performances op zondag om 15.00 uur

Pay what you can

Twee weekends:
PostXZomersalon

PostX richt een zijruimte in van het Zomersalon in Kunsthal Gent als een antichambre: een eenvoudige scenografie met banken om even te bekomen, een sanatorium voor verwaarloosde planten en de audio-installatie KLIJ van IJ (Inge van den Kroonenberg en Jürgen De Blonde).

KLIJ

Een druppel.
Een blok klei.
Een piezo-microfoon in de klei.
Wat dringt door?
Een rimpel in de lucht.
Wat hoor je?
Een reflectie van een micro-impact.
Wat raakt de kern? Een impressie van een kern in essentie.

Gewikt en gewogen met dubbele standaarden.

Een ingreep en performance van IJ (Inge van den Kroonenberg en Jürgen De Blonde) voor All Things Sound i.s.m. Wouter Cox.

Performance, zondag 11 juli, 15.00

Jasmijn Lootens & Anneleen De Causmaecker

PX Zomersalon

AFBEELDINGEN
Klei Beeld