#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|
