#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#32: Be pan-gender polyphonic.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#40: Follow the artist|#61: No all male install teams.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#32: Be pan-gender polyphonic.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#40: Follow the artist|#61: No all male install teams.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#35: The artist fee should be good.|
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02—11.07.2021 20:00

Met performances op zondag om 15.00 uur

Pay what you can

Twee weekends:
PostXZomersalon

PostX richt een zijruimte in van het Zomersalon in Kunsthal Gent als een antichambre: een eenvoudige scenografie met banken om even te bekomen, een sanatorium voor verwaarloosde planten en de audio-installatie KLIJ van IJ (Inge van den Kroonenberg en Jürgen De Blonde).

KLIJ

Een druppel.
Een blok klei.
Een piezo-microfoon in de klei.
Wat dringt door?
Een rimpel in de lucht.
Wat hoor je?
Een reflectie van een micro-impact.
Wat raakt de kern? Een impressie van een kern in essentie.

Gewikt en gewogen met dubbele standaarden.

Een ingreep en performance van IJ (Inge van den Kroonenberg en Jürgen De Blonde) voor All Things Sound i.s.m. Wouter Cox.

Performance, zondag 11 juli, 15.00

Jasmijn Lootens & Anneleen De Causmaecker

PX Zomersalon

AFBEELDINGEN
Klei Beeld