#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#54: What about disabled artists?|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#16: Kunsthal Gent will always be a construction site.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#26: More artists, less borders.|#94: No objections? Just do it.|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#112: Spaces today don’t need to be curated, but occupied.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#124: Do less, do it better.|#111: Do it together.|#30: Don’t work with artists who are assholes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#32: Be pan-gender polyphonic.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#28: Make Contracts.|#62: Don’t be a dick. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#53: Immaterial support for artists is important.|#36: We support production separately.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#34: We pay artists.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#54: What about disabled artists?|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#10: Don’t be obsessed with numbers.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#16: Kunsthal Gent will always be a construction site.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#137: Use the publication as programming space|#98: The success of it will not lie in the result but in the process.|#26: More artists, less borders.|#94: No objections? Just do it.|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#112: Spaces today don’t need to be curated, but occupied.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#124: Do less, do it better.|#111: Do it together.|#30: Don’t work with artists who are assholes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#32: Be pan-gender polyphonic.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#28: Make Contracts.|#62: Don’t be a dick. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#53: Immaterial support for artists is important.|#36: We support production separately.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|
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08.11.19

Evenement

Art cinema OFFoff presents:
Première Alexander Deprez: Gabriel Descending

Gabriel Descending, Alexander Deprez

—BE, 2019, 30’, kleur, digitaal

NL

Gabriel, een jonge conciërge, lijkt langzaam weg te zakken in waanzin. Maar is dat wel zo? Of is hij net degene die ziet wat anderen weigeren te zien?

Alexander Deprez’ voyeuristische en rauwe foto’s geven vaak een inkijk in zijn persoonlijk leven. Met Gabriel Descending maakt hij zijn debuut als filmmaker.

Ticket: 5 euro

Voor meer info: https://offoff.be/events/gabriel-descending/

Gabriel Descending Fotokopie 1024x459