#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#37: Operate with radical transparency.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#14: Can you also remain a toddler institution?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#37: Operate with radical transparency.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#14: Can you also remain a toddler institution?|