#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#17: An exhibition is never finished.|#119: Be a space of production.|#40: Follow the artist|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#35: The artist fee should be good.|#107: Build a community / scene.|#91: Embrace doubt.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#17: An exhibition is never finished.|#119: Be a space of production.|#40: Follow the artist|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#35: The artist fee should be good.|#107: Build a community / scene.|#91: Embrace doubt.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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16.11.2022 13:00

Lezing / Architectuur

Pay what you can

Primary Talks: Bram Vanderbeke

PRIMARY TALKS is een reeks gratis lezingen georganiseerd in het kader van PRIMARY STRUCTURE, een masterclass over het ontwikkelen van intelligente bouwstructuren. Studenten werken er vanuit specifieke casestudies, haalbaarheidsstudies ingediend door de praktijk of maatschappelijke noodzaak.

Lezingen:

  • Bram Vanderbeke, 16 november, 13:00
  • Katja Mater, 30 november, 13:00

Meer info via: www.primarystructure.net

Een initiatief van GAFPA, geleid door Floris De Bruyn & Olivier Goethals. Met de steun van Ku Leuven, Faculteit Architectuur Sint-Lucas Gent. Grafisch ontwerp: atelier Haegeman Temmerman

PS Bram Vanderbeke