Q&A met Elke van Kerckvoorde

#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#111: Do it together.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#30: Don’t work with artists who are assholes.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#111: Do it together.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#30: Don’t work with artists who are assholes.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|

25.10.2019 20:00

ontwikkelingsprogramma

Pay what you can

Kunsthal Gent presenteert:
Q&A met Elke van Kerckvoorde