Q&A met Elke van Kerckvoorde

#112: Spaces today don’t need to be curated, but occupied.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#124: Do less, do it better.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#40: Follow the artist|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#74: Last one out turns of the lights.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|#112: Spaces today don’t need to be curated, but occupied.|#105: Kunsthal Gent is local in scale, but globally connected.|#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#124: Do less, do it better.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#40: Follow the artist|#30: Don’t work with artists who are assholes.|#15: Kunsthal Gent aims to be an extension of public space.|#74: Last one out turns of the lights.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#64: Arrange a distribution of forces.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|

25.10.2019 20:00

ontwikkelingsprogramma

Pay what you can

Kunsthal Gent presenteert:
Q&A met Elke van Kerckvoorde