#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#94: No objections? Just do it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#107: Build a community / scene.|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#94: No objections? Just do it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#107: Build a community / scene.|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|