#64: Arrange a distribution of forces.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#40: Follow the artist|#37: Operate with radical transparency.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#137: Use the publication as programming space|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#107: Build a community / scene.|#54: What about disabled artists?|#64: Arrange a distribution of forces.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#55: Keep basic human needs on the forefront.|#124: Do less, do it better.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#40: Follow the artist|#37: Operate with radical transparency.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#112: Spaces today don’t need to be curated, but occupied.|#26: More artists, less borders.|#137: Use the publication as programming space|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#107: Build a community / scene.|#54: What about disabled artists?|
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02.04.2021 20:00

Talk + listening session

Pay what you can

Ja Ja Ja Nee Nee Nee:
Radio as curating

Vrijdag 2 april 2021, 20.00 - 21.30 (online, in het Engels)
Ja Ja Ja Nee Nee Nee - Radio as curating

Deze avond spreken Arif Kornweitz en Radna Rumping over het radioplatform Ja Ja Ja Nee Nee Nee en hoe het fungeert als een ruimte voor hedendaagse kunst. Ze delen hun visie op radio en spreken over manieren om diverse curatoriële en artistieke benaderingen in het medium te integreren. De lezing bevat fragmenten uit het archief van jajajaneeneenee.com en is toegankelijk voor iedereen.

Ja Ja Ja Nee Nee Nee is een online radio voor kunst en biedt een intieme ruimte voor radio met en door kunstenaars. Uitzendingen uit het verleden zijn te beluisteren in het archief op www.jajajaneeneenee.com, dat een combinatie biedt van geluidskunst, gesprekken en experimentele formats. Daarnaast bevat de Ja Ja Nee Nee podcast nieuwe bijdragen van kunstenaars in de vorm van voice memo's.

Ja Ja Ja Nee Nee Nee startte in februari 2020 met hun Development Fellowship in Kunsthal Gent en keerde terug in maart 2021. De werkperiode is voor hen een moment om hun eigen stem te onderzoeken.

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