#81: Things come alive when there is friction.|#34: We pay artists.|#91: Embrace doubt.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#61: No all male install teams.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|#35: The artist fee should be good.|#17: An exhibition is never finished.|#54: What about disabled artists?|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|#28: Make Contracts.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#36: We support production separately.|#14: Can you also remain a toddler institution?|#81: Things come alive when there is friction.|#34: We pay artists.|#91: Embrace doubt.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#61: No all male install teams.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|#35: The artist fee should be good.|#17: An exhibition is never finished.|#54: What about disabled artists?|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#117: Consider design, organisational structures and architecture as programme.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|#28: Make Contracts.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#36: We support production separately.|#14: Can you also remain a toddler institution?|
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16.11.2018 00:00

Pay what you can

Reading (with) Abigail Child

We zijn verheugd Abigail Child te verwelkomen in ArtCinema OFFoff voor een programma van lezingen van haar experimenteel schrijven. Abigail Child is voornamelijk bekend voor haar werk als experimenteel filmmaakster. OFFoff zet zich in om de aandacht en interesse in haar oeuvre te verbreden naar haar experimenteel schrijven. Overtuigd over de relaties tussen tekst en cinema nodigen we jullie graag uit voor een avond met lezingen, van de hand van en gebracht door Abigail zelf.