#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|