#105: Kunsthal Gent is local in scale, but globally connected.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#36: We support production separately.|#84: The White Cube is a lie.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#36: We support production separately.|#84: The White Cube is a lie.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
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16.11.2018 00:00

Pay what you can

Reading (with) Abigail Child

We zijn verheugd Abigail Child te verwelkomen in ArtCinema OFFoff voor een programma van lezingen van haar experimenteel schrijven. Abigail Child is voornamelijk bekend voor haar werk als experimenteel filmmaakster. OFFoff zet zich in om de aandacht en interesse in haar oeuvre te verbreden naar haar experimenteel schrijven. Overtuigd over de relaties tussen tekst en cinema nodigen we jullie graag uit voor een avond met lezingen, van de hand van en gebracht door Abigail zelf.