#105: Kunsthal Gent is local in scale, but globally connected.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#36: We support production separately.|#84: The White Cube is a lie.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#36: We support production separately.|#84: The White Cube is a lie.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#137: Use the publication as programming space|#74: Last one out turns of the lights.|#91: Embrace doubt.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|