#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#34: We pay artists.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#19: Have fun at the exhibition.|#82: Clean and sterile looks professional, but really boring.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#34: We pay artists.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#19: Have fun at the exhibition.|#82: Clean and sterile looks professional, but really boring.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|