Redefined Reflections

#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#56: Take a lunch break.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#40: Follow the artist|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#117: Consider design, organisational structures and architecture as programme.|#91: Embrace doubt.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#56: Take a lunch break.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#40: Follow the artist|#53: Immaterial support for artists is important.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#117: Consider design, organisational structures and architecture as programme.|#91: Embrace doubt.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|

07—08.05.2022 11:00

Presentatie - Studio Permanently Practising

Pay what you can

Elke Van Kerckvoorde:
Redefined Reflections

Elke Van Kerckvoorde