#90: The best systems have a failure or ‘a hole’ in them…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#90: The best systems have a failure or ‘a hole’ in them…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#30: Don’t work with artists who are assholes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|
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07—08.05.2022 11:00

Presentatie - Studio Permanently Practising

Pay what you can

Elke Van Kerckvoorde:
Redefined Reflections

Een onderzoek naar het omzetten van materiele aspecten in het ambacht van Glas in Lood naar manuele drukmethodes

Elke Van Kerckvoorde (Gent 1992) studeerde aan Luca School of Arts te Gent (Master Beeldende Kunst 2014). Ze startte als schilder en verdiepte zich in verschillende grafische technieken, om zo de grens tussen beeldende kunst en ambacht op te zoeken. In 2019/2020 was ze resident in het Ontwikkelingsprogramma van Kunsthal Gent, met als doel om haar praktijk te verruimen met een onderzoek naar het ambachtelijke proces van glas in lood. Welke sfeer roept een glasraam op, wat is typerend voor dit oude ambacht? Op 7 en 8 mei (parallel aan de Ghent Art Book Fair 2022) deelt Elke Van Kerckvoorde de verschillende stappen die ze ontdekte om de karakteristieke elementen van glas in lood te kunnen vertalen naar drukwerk.

Ze onderzocht de vormen en transparantie van het glas, de lijnen van het lood, contrasten tussen licht/donker, positief/negatief, maar ook het aspect tijd (de veranderende stand van de zon) en het effect daarvan op de ruimte van Kunsthal Gent, onder meer in samenwerking met het ontwerpduo PutGootink. Deze elementen nam ze als basis voor het maken van manueel drukwerk en experimenteerde met manieren om ze te versterken via verschillendes drukprocedés. Met de hulp van stagiair Sarah de Laet werden verschillende druktechnieken (zeefdruk, risografie, loodzetsels, fotogrammen, digitale print, lasercut, vinylplots…) tot hun limieten uitgetest.

Locatie: Studio Permanently Practising
Ontwikkelingsprogramma Kunsthal Gent

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