#127: Remain practical: what happens to the work in an endless exhibition?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#17: An exhibition is never finished.|#35: The artist fee should be good.|
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07—08.05.2022 11:00

Presentatie - Studio Permanently Practising

Pay what you can

Elke Van Kerckvoorde:
Redefined Reflections

Een onderzoek naar het omzetten van materiele aspecten in het ambacht van Glas in Lood naar manuele drukmethodes

Elke Van Kerckvoorde (Gent 1992) studeerde aan Luca School of Arts te Gent (Master Beeldende Kunst 2014). Ze startte als schilder en verdiepte zich in verschillende grafische technieken, om zo de grens tussen beeldende kunst en ambacht op te zoeken. In 2019/2020 was ze resident in het Ontwikkelingsprogramma van Kunsthal Gent, met als doel om haar praktijk te verruimen met een onderzoek naar het ambachtelijke proces van glas in lood. Welke sfeer roept een glasraam op, wat is typerend voor dit oude ambacht? Op 7 en 8 mei (parallel aan de Ghent Art Book Fair 2022) deelt Elke Van Kerckvoorde de verschillende stappen die ze ontdekte om de karakteristieke elementen van glas in lood te kunnen vertalen naar drukwerk.

Ze onderzocht de vormen en transparantie van het glas, de lijnen van het lood, contrasten tussen licht/donker, positief/negatief, maar ook het aspect tijd (de veranderende stand van de zon) en het effect daarvan op de ruimte van Kunsthal Gent, onder meer in samenwerking met het ontwerpduo PutGootink. Deze elementen nam ze als basis voor het maken van manueel drukwerk en experimenteerde met manieren om ze te versterken via verschillendes drukprocedés. Met de hulp van stagiair Sarah de Laet werden verschillende druktechnieken (zeefdruk, risografie, loodzetsels, fotogrammen, digitale print, lasercut, vinylplots…) tot hun limieten uitgetest.

Locatie: Studio Permanently Practising
Ontwikkelingsprogramma Kunsthal Gent

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