#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|#6: Demand that visitors are active.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|#6: Demand that visitors are active.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|