#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|#6: Demand that visitors are active.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|#6: Demand that visitors are active.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#36: We support production separately.|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|
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25.10.2018 00:00

Residentie-modellen: De Koer, STRT KIT, Cas-co – en Kunsthal Gent

Pay what you can

Workshop:
Residency Models

Met: Tim Bruggeman (De Koer) & Elien Ronse; Isabel Van Bos (STRT KIT) & Ode de Kort; Josine De Roover (Cas-co) & Manuel Penteado; Danielle van Zuijlen (Kunsthal Gent) & welkom aan tafel.

Een rondetafelgesprek over residentiemodellen, in functie van het nieuwe ontwikkelingsplatform dat van start gaat binnen Kunsthal Gent vanaf februari 2019. Korte presentaties van 3 residenties worden gevolgd door een getuigenis van een kunstenaar die er werkte, zodat zowel het perspectief van de organisatie als dat van de kunstenaar aan bod komt.

Daarna bespreken we welke elementen belangrijk zijn voor een residentieprogramma binnen Kunsthal Gent. We willen met deze rondetafel kunstenaars uitnodigen om mee te spreken over hun verwachtingen van dit nieuwe ontwikkelingsplatform.