#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#21: Live with the exhibition, spend time with it.|#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#26: More artists, less borders.|#4: Pay what you can.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#21: Live with the exhibition, spend time with it.|#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#26: More artists, less borders.|#4: Pay what you can.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|
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22.10.2021 20:00

Performance

Pay what you can

Nein presenteert:
Sc(è)ene 1: Any way the wind blows

Een reis van een uur in de ruimte, waar de wind zal worden verspreid door:

Joachim Badenhorst - Klarinet
Bloedneus & de Snuitkever
- Aulos
Shoko Igarashi
- Saxofoon

3 verschillende akoestische sets in Kunsthal Gent, waar ruimte, objecten en geluiden in elkaar overvloeien.

Scène(s)
1. In het Frans, La Scène, vloer om op te spelen
2. Een Scène als deel van een geheel
3. in het Engels, The scene

Deuren 19:30
Showtime 20:00

Nein organiseert maandelijks een happening afwisselend in Kunsthal Gent & CAMPO. Werk van kunstenaars uit alle verschillende disciplines wordt gepresenteerd of gecombineerd!


INSCHRIJVEN