#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#28: Make Contracts.|#124: Do less, do it better.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#89: Build-in impurity within the organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#26: More artists, less borders.|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#28: Make Contracts.|#124: Do less, do it better.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#89: Build-in impurity within the organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#107: Build a community / scene.|#26: More artists, less borders.|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|