#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#15: Kunsthal Gent aims to be an extension of public space.|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#40: Follow the artist|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#91: Embrace doubt.|#107: Build a community / scene.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#14: Can you also remain a toddler institution?|#15: Kunsthal Gent aims to be an extension of public space.|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#40: Follow the artist|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#91: Embrace doubt.|#107: Build a community / scene.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|