#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#62: Be kind. Full dishwasher: empty it.|#53: Immaterial support for artists is important.|#54: What about disabled artists?|#56: Take a lunch break.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#4: Pay what you can.|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#62: Be kind. Full dishwasher: empty it.|#53: Immaterial support for artists is important.|#54: What about disabled artists?|#56: Take a lunch break.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#4: Pay what you can.|#82: Clean and sterile looks professional, but really boring.|