#111: Do it together.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#65: No excuses: Thursday morning, team meeting.|#64: Arrange a distribution of forces.|#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#68: Once in a while we need to get out of utopia and get something done.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#65: No excuses: Thursday morning, team meeting.|#64: Arrange a distribution of forces.|#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#44: No name tags at dinner.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|