#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#107: Build a community / scene.|#34: We pay artists.|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#107: Build a community / scene.|#34: We pay artists.|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#65: No excuses: Thursday morning, team meeting.|
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23.07.2022 15:00

Participatory performance (English)

Pay what you can

Syllabus Summer School Retreat Day 3:
Standing Still - Shabari Rao

Participatory performance (English)
Zaterdag 23 juli 2022, 15.00 - 18.00

Open voor iedereen
Graag inschrijven met een email naar danielle@kunsthal.gent


'Standing Still'
is een doorlopende participatieve performance van Shabari Rao, gecureerd door Barbara Mahlknecht. De performance verkent de belichaamde relaties tussen stilte en beweging, stilte en geluid. Een audioscore, met verbale instructies, zang en omgevingsgeluiden, omkadert deze collectieve ervaring en neemt ons mee gedurende het hele event. Elke deelnemer wordt uitgenodigd om met de partituur om te gaan en ze te interpreteren op een manier die voor hen zinvol is.

Shabari Rao
is een kunstenaar, performer, pedagoog en onderzoeker gevestigd in Bangalore, India. Haar werk is geworteld in praktijkgericht onderzoek en richt zich op onderwijs, geestelijke gezondheid, gender en het milieu. Het lichaam speelt een centrale rol in haar proces, dat collaboratief en emergent van aard is en verschillende verschijningsvormen kent: optreden, regisseren, cureren, lesgeven, schrijven en, meer recent, experimenteel film- en audiowerk.

Barbara Mahlknecht
is een feministische onderzoeker, curator en kunsteducator. Ze richt zich momenteel op de geschiedenis en de mogelijkheden van feministische politiek van sociale reproductie en zorg.

Dit event maakt deel uit van de Syllabus Summer School Retreat

Standing still image small