#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#29: We make the program for the artist that we exhibit.|#39: Be the early stepping stone in an artist’s career|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#36: We support production separately.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#6: Demand that visitors are active.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|
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01.10.2021 20:00

Documentaire en nagesprek

Pay what you can

KONT magazine presenteert:
Staying with The Tides

KONT, het jaarlijkse magazine en tevens nomadisch, artistiek vehikel dat opgericht is door de Belgische kunstenaar Griet Menschaert in Eindhoven, toont de documentaire 'Staying with The Tides / In de getijden blijven' in Kunsthal Gent. De titel van de documentaire verwijst naar Donna Haraway's fameuze boek 'Staying With The Trouble'.

De getijden zijn vloeibaar en KONT ook. In 2021 bestaat KONT vijf jaar. Met deze documentaire wil KONT markeren wat de beweging rond het magazine al die tijd heeft proberen te doen. KONT vraagt zich tegelijk openlijk af hoe verder te gaan vanaf dit punt. Daarom vindt er na de documentaire een gesprek plaats over wat KONT is, was en kan worden, samen met het publiek.

De documentaire is een realisatie van filmmaker, designer en muzikant Floor Hofman. Griet Menschaert en Floor Hofman zijn beiden aanwezig.

In de documentaire komen aan bod: Koosje Hamerslag (Pseud.), Griet
Menschaert, Annegret Bönemann, Lars Leeuw, Casper Fitzhue, Charles Esche, Wessel Verrijt en Simón Andrés Soto Ochoa.

Staying With The Tide 0