#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#34: We pay artists.|#119: Be a space of production.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#34: We pay artists.|#119: Be a space of production.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|
