#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#40: Follow the artist|#91: Embrace doubt.|#37: Operate with radical transparency.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#36: We support production separately.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#40: Follow the artist|#91: Embrace doubt.|#37: Operate with radical transparency.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#36: We support production separately.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#84: The White Cube is a lie.|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|
