#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#34: We pay artists.|#119: Be a space of production.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#34: We pay artists.|#119: Be a space of production.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#107: Build a community / scene.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|
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01.10.2021 20:00

Documentaire en nagesprek

Pay what you can

KONT magazine presenteert:
Staying with The Tides

KONT, het jaarlijkse magazine en tevens nomadisch, artistiek vehikel dat opgericht is door de Belgische kunstenaar Griet Menschaert in Eindhoven, toont de documentaire 'Staying with The Tides / In de getijden blijven' in Kunsthal Gent. De titel van de documentaire verwijst naar Donna Haraway's fameuze boek 'Staying With The Trouble'.

De getijden zijn vloeibaar en KONT ook. In 2021 bestaat KONT vijf jaar. Met deze documentaire wil KONT markeren wat de beweging rond het magazine al die tijd heeft proberen te doen. KONT vraagt zich tegelijk openlijk af hoe verder te gaan vanaf dit punt. Daarom vindt er na de documentaire een gesprek plaats over wat KONT is, was en kan worden, samen met het publiek.

De documentaire is een realisatie van filmmaker, designer en muzikant Floor Hofman. Griet Menschaert en Floor Hofman zijn beiden aanwezig.

In de documentaire komen aan bod: Koosje Hamerslag (Pseud.), Griet
Menschaert, Annegret Bönemann, Lars Leeuw, Casper Fitzhue, Charles Esche, Wessel Verrijt en Simón Andrés Soto Ochoa.

Staying With The Tide 0