#105: Kunsthal Gent is local in scale, but globally connected.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#84: The White Cube is a lie.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#59: Always protect the floor when painting (or pouring concrete)|#81: Things come alive when there is friction.|#37: Operate with radical transparency.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#21: Live with the exhibition, spend time with it.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#84: The White Cube is a lie.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#124: Do less, do it better.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#59: Always protect the floor when painting (or pouring concrete)|#81: Things come alive when there is friction.|#37: Operate with radical transparency.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#21: Live with the exhibition, spend time with it.|#127: Remain practical: what happens to the work in an endless exhibition?|
