#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#65: No excuses: Thursday morning, team meeting.|#112: Spaces today don’t need to be curated, but occupied.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#59: Always protect the floor when painting (or pouring concrete)|#94: No objections? Just do it.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#65: No excuses: Thursday morning, team meeting.|#112: Spaces today don’t need to be curated, but occupied.|
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02.02.2023 17:30

Pay what you can

Syllabus Reading Group #11

Op donderdag 2 februari starten we met een nieuwe reeks bijeenkomsten van de Syllabus Reading Group. De komende maanden organiseren we de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. Deze eerste bijeenkomst bepalen we samen met jou de richting; uitgangspunt blijft het werk van Silvia Federici en andere teksten die aansluiten bij haar activistisch-feministische praktijk.

We komen live samen in de Syllabus ruimte en testen ook de mogelijkheid om online aan te kunnen sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken! Met Sara O'Rourke, antropologe die werkt aan een doctoraat over de praktijk van o.a. Jesse Jones.

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

Syllabus Reading Group