#99: Evolve according to changing needs.|#98: The success of it will not lie in the result but in the process.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#84: The White Cube is a lie.|#90: The best systems have a failure or ‘a hole’ in them…|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#98: The success of it will not lie in the result but in the process.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#84: The White Cube is a lie.|#90: The best systems have a failure or ‘a hole’ in them…|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#107: Build a community / scene.|
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04.03.2023 14:00

Pay what you can

Syllabus Reading Group #12

De Syllabus Reading Group word georganiseerd rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici creëert een ruimte voor activistische bijeenkomsten.

We organiseren de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. Deze eerste bijeenkomst bepalen we samen met jou de richting; uitgangspunt blijft het werk van Silvia Federici en andere teksten die aansluiten bij haar activistisch-feministische praktijk.

We komen live samen in de Syllabus ruimte en testen ook de mogelijkheid om online aan te kunnen sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken! Met Sara O'Rourke, antropologe die werkt aan een doctoraat over de praktijk van o.a. Jesse Jones.

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

MDC KH jessejones 003 HR